The Bait

Symbolisms: "The Trap." Scene 1: A bear trap on the ground; a man's hand enters the picture from above, presses down the jaws, shows how they work, and as they spring back into place his hand begins to scatter the leaves over the trap. Scene 2: Close-up of a saloon doorway, showing the swing doors opening in and springing back to place. The movement is the same as the bear trap. "The Bait." Scene 3: A bear trap is shown on the ground covered with leaves. A man's hand enters from above with a leg of meat. He holds it above the trap for a moment then lays it gently on the trap. Scene 4: The saloon swing doors are again drawn back by unseen bands and as they open just wide enough to make a panel in center of picture "Margot, the bait," is shown sitting on the edge of a table, and talking and laughing to unseen people. "The Game." Scene 5: Close-up is shown of rocky background. A puma is shown coming from behind the rocks with a snarl. Scene 6: Close-up of exterior of barroom doors. Camera shows Ed Mitchell, the stranger, halt intoxicated and a man's hand on his shoulder trying to lead him into the barroom. He registers disinclination, laughs in maudlin manner. Man's hand urges him in. Camera then shows Tom, the gambler, with his arms reaching out toward Mitchell; he opens doors and gently pushes Mitchell through. The story opens in a symbolic vein: the bait, the game, the trap. The analogy is drawn between the catching of big game with the usual bait in the trap, and the luring of big game with the bait of lovely but pathetic Margot, victim of a low man whom she believes to be her husband, and who has her in his power through a hold upon her father. The bait is sent into the saloon to fleece "the stranger" with the big roll. He discovers the game, the trap and the bait and a shooting tray takes place. Tom, the gambler, is badly wounded, and his partner in the game, "Old Bill," is slightly injured. Margot, believing Tom dead, escapes with her father. The scene then switches to the big trapping vicinity of which Bruce Powell, the trapper is the big man. He is shown trapping pumas. "Old Bill" and Margot make their way across country. A trap has been laid for game and "Old Bill," stumbling with exhaustion and illness, falls into it. Margot's screams attract Powell, who hurries to the scene. He carries the old man to his cabin where he expires after confessing to Margot that Tom was not her husband. The trapper soon learns to love the girl. Four months later they